woensdag, maart 19, 2003
Few photographs over the past year have ignited as much debate as Luc Delahaye’s "Taliban, 2001." The large-format panorama of the dead Talib soldier first raised eyebrows last fall when it was exhibited at the New York Armory Show with a $15,000 price tag. By itself, the image stuck out from the other art pieces and raised more questions than answers: Is it art, photojournalism, or both? Is it right to profit from the dead? Is the shot an authentic "found" scene or was it composed? (Bron: PDN)
# posted by Jan-Edward : 01:07
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